Author Archive

Shorts 4 – Day 6 FFF 2012

April 19, 2012

Atlantis

Curfew
A wonderful short exploring sibling relationships amidst disappointment and despair. Well written, well acted, excellently paced. Several patrons, including our own SunnyStefani, identified this as their favorite of all these shorts.

Red (The Slide Series)
Cute, very short piece about the power of suggestive advertising. 

Bunny
A refreshingly perceptive take on the concept of bullies. Another excellent film. Ironically, I thought several scenes in this film looked eerily familiar–only to discover it was filmed a short distance from where I grew up.

Deerskin Lake
Quirky story of a support group that goes horribly wrong. Weak production values–from writing to acting to filming–keep this creative concept from coming close to its full potential.

First Match
a muscular, black athlete finally gets a shot at wrestling varsity–just like dad. Perhaps the family will see another champion trophy? Will dad be proud of her? Yes, I said, her!

I Am Not a Moose
Are you an actor or a moose? Probably better to be a moose. Amusing.

Mobius
Next time you check into the front desk of a hotel, you’ll remember this film–and wish you didn’t!

Atlantis
Historically, Atlantis is a mythological, advanced civilization that disappeared into the sea a long time ago. That’s not mentioned in this film What’s in this film is the final flight of the space shuttle Atlantis, because America didn’t need a natural disaster to eliminate one of the most civilizing aspect of our current culture. Like the movie Titanic, this film was a combination of historical accuracy interspersed with a love story.

Doug Joseph

At the end of the program, there was a Q&A with the Curfew and Atlantis filmmakers. Also in the audience was Doug Joseph, who appeared in Atlantis.

31 years ago, Doug finished high school and took a “three month job” with NASA where he worked on the Atlantis space shuttle “flow management group.” He stayed in that “3 month job” until last year. In the movie, tears came to his eyes as he speaks about the end of the shuttle program.

It was that scene that gave me the inspiration to compare the final flight of Atlantis with the mythical story.

And that makes tears come to my eyes.

Doc Shorts – Day 5 FFF 2012

April 17, 2012

King's Point

The Olympian
In the late 1800’s Thomas Edison filmed a man who is considered the father of modern bodybuilding. This film is a simple juxtaposition of that film and a modern bodybuilder of today. Short. Fascinating. Well conceived.

Kings Point
If we’re lucky, one day we’ll be old. Ever wonder what life will be like then? This film gives a glimpse of life in a retirement community in Florida. Stark. Realistic. Beautifully filmed. Informative.

Ingrid Pitt: Beyond the Forest
This short features the true story of Ingrid Pitt’s escaped from a Nazi concentration camp. Ingrid went on to become a famous actor. This was her last project. It was made in collaboration with famous shorts animator Bill Plympton. Most impressively, it was animated by a 10 year old.

The Tsunami and the Cherry Blossom
This film shows heart wrenching, live footage of the March 2011 tsunami in Japan. Then the survivors are interviewed. After which, the filmmaker explores the powerful symbolism of the cherry blossom to the Japanese culture. Many ancient cherry trees survived the tsunami and their “rebirth” is held up as the epitome of the Japanese struggle to survive and overcome this horrendous disaster. NumberOneSon said this was his favorite of the four shorts.

Audience Response
“I cried three times and smiled at the same time,” reported Jessica Gasparolo. 

“I Loved the cherry blossom one–kinda showed the worst of nature and the best of human nature,” Said Harriett.

“I would say that the shorts have been just outstanding this year. We liked a lot of them,” claimed Helen and John Steele. They went on to discuss several of the shorts programs. They agreed with me that Shorts 1 was absolutely fantastic. While I loved The Other Side, they were more fond of High Maintenance.

It’s a testament to the diversity of the FFF that the one they liked the most, was the one that I thought was the least of all the Shorts 1. Don’t get me wrong–I really enjoyed High Maintenance–it’s just that I liked the other six even better.

But isn’t that what the FFF is all about–Different people, different opinions, thoughtful and provocative films for everyone to enjoy, analyze and review.

I love it!

Is Paul Williams Dead? – Day 4 FFF 2012

April 17, 2012

Do You Know if Paul Williams is still Alive?

I have fond childhood memories of sitting with my father and watching classic 70s TV shows, like the comedy/variety show Laugh-In. I remember Paul Williams. A short, charismatic character who always made my dad laugh.

A documentarian considers making a movie about this iconic personality of the 1970’s. Paul is most noted for writing mega song hits such as Evergreen, We’ve Only Just Begun and my personal favorite (sung by none other than Kermit the Frog) The Rainbow Connection. The filmmaker knows that Paul battled alcohol and drug addiction. Then he just disappeared. “He died too young,” the filmmaker laments. 

Problem is, Paul’s not dead yet. So the filmmaker tracks him down and spends over two years filming him for his documentary.

This is touted as one of the better films at this year’s FFF, so I’m surprised to see such a small crowd. Not surprisingly, the crowd appears to be slightly older than usual. Is this because the subject was popular back in the 70s? Does anyone younger than 40 even know who Paul Williams was?, uh, is?

I ask an older gentleman if he would like to be interviewed for the blog. He curtly tells me, “No I don’t.” Normally, I can engage a few people as they enter and exit the theatre. For this show, very few of them even make eye contact with me.

The movie is good.  Just good. Paul Williams makes for a great subject. But on some level the movie does not work. As I watch it, I find myself getting drawn in and drawn…then, the filmmaker puts himself in the movie and…Poof…I’m out of the movie now. Then there’s more about Paul and again I’m drawn in, drawn in and…Poof…the filmmaker gets into the film again.

This is not working. 

I think about Michael Moore. He puts himself into his documentaries all the time. But I don’t have the same experience. Why is this not working?

I never do figure it out. But the film, at least everything about Paul, is so fascinating that I can easily recommend this documentary. And as patrons exit the theatre, I hear a lot of positive comments.

 “That was good,” says one guy. “It was interesting,” says another. Still one more is overheard saying, “I really liked it.”

Scott Abrahams takes a moment to give this review, “Good, I got a little bored here and there. It was a little more about the filmmaker than about him. I would like to have seen more about the songwriting process.” He goes on to tell how he was disappointed that the movie was scheduled for 9pm but the chalkboard outside the theatre said 9:15 so he missed the first seven minutes of the movie.

Another member in the audience was discussing the directorial decisions of Stephen Kessler, the filmmaker, with three others who saw the movie. The conversation gets pretty animated—a sign that the film succeeded in eliciting a response, which is usually a good sign. One woman says, “Because it’s Paul Williams, I want to give it a 4+, but because of the filmmaker, I want to give him a 3.”

I stop one of the audience members on his way out of the theatre. I discover he’s also a documentarian who has a film at this year’s FFF. I ask for more feedback on the movie. “Let me just say, I don’t appear anywhere in my documentary.” He’s reluctant to say more because he doesn’t want to disparage a fellow filmmaker. I ask him what he thinks of Michael Moore. That gives him pause. “With him, it works,” he concludes.  “But for this movie it didn’t work.”

However, he insists on ending the interview on a positive note about a fellow filmmaker, “After seeing this movie, I want to know more about Paul Williams.” “So you liked it?” I inquire in an overly obvious attempt to illicit a negative response I can attribute to him. He pauses, smiles, and tactfully retorts, “I liked Paul.”

And that, in a nutshell, is this movie.

Final Thoughts From Day 2 FFF 2012

April 15, 2012

Mohamed Fellag as Monsieur Lazhar

As Day 2 comes to a close, I realize my misgivings about this year’s festival were unfounded. It has turned out to be one of the best days I have ever had at the FFF. I decide to see one last film and interview a few more festival patrons.

Doris says Mamitas was great. I agree. Jason says he is with a great date. I’m not sure if that means he has paid any attention to the films or if he is just trying to impress her. Whatever, it’s time to go into the theatre for my last movie of the day.

Monsieur Lazhar
The theatre is almost at capacity. It’s been so busy this year that most films are getting started incredibly late. This is very unusual at the FFF. But I don’t see how it could be avoided. Just exiting the theatre from Mamitas took about 10 minutes because the patrons couldn’t push past the crowds outside the theatre waiting to enter to see Monsieur Lazhar. As I look over the auditorium, I see something unique in a movie theatre. Every seat across each row is completely filled. None of them are empty. Usually, at a normal movie, there are gaps between parties. Not at the FFF. Is it the common bond of love for film that allows us to feel comfortable sitting closer to one another?

The lights dim and Monsieur Lazhar begins. This film was nominated for an Oscar for best foreign language film last year so it’s very popular. A hush falls over the theatre…

The movie is very well done. The title role requires just the right touch of subtlety and depth. Mohamed Fellag provides a sublime performance that is a joy to watch. It’s a good film. I didn’t think it lived up to all the accolades that preceded it. The story was somewhat simplistic yet very moving. Others in the theatre were even more impressed.

“It was great.” “Very moving,” said Kasey and Colleen.

“I thought it was excellent, I liked it,” noted Dawson. “It was a very touching story.”

“Films like this should go beyond best foreign language and into best picture,” said Ken.

A trio of women approach me as I’m conducting my interviews. “It was touching,” said Flora Torra. Her friend, Therese Murphy, confirmed that was her real name and went on to say, “it was beautiful.” “It was moving,” chimed in Rosario. Then, turning away from the film Flora blurts out, “These are great names for a blog,” referring to Flora, Therese and Rosario. “No one’s ever heard of these names.”

“It was beautiful. It was peaceful. And it had a fabulous message,” said Kerry. Her friend Sandy replied, “You said it all. I loved it.”

For me, I loved this day at the FFF and I’m looking forward to tomorrow.

Kumare & Mamitas – Day 2 FFF 2012

April 15, 2012

Kumare
I think it will be a long time before this film finds its rightful place within my heart and my mind. It’s a simple documentary by an Indian, Hindu man—Born and raised in New Jersey—Who has come to believe his religious family’s beliefs are totally bogus. To prove it, he “becomes” a guru of a made up religion and plants himself in Arizona where he entices 14 different people to become his disciples.

Then, he tells them who he truly is. At least, he tries to. In his own way. But, in my opinion, he does so in a way that is significantly more dishonest than honest.

I won’t say any more about what happens in the film. You really should see it. But I will talk about how it continues to affect me. Because it does.

At the heart of this documentary is the reality that Vickram Gandhi, the swindler who created the character of Kumare, is a fraud-pure and simple. In fact, he’s so good at being a fraud, he appears to even con himself into believing he has done some good by perpetrating this fraud.

L. Ron Hubbard is famous for saying, “If you want to get rich, start a religion.”  Apparently, he said that some time before he founded the “religion” of Scientology and then went on to become extremely wealthy.

In a similar vein, Vickram seems unable to face his own duplicity. When it comes time to “expose” his falsehood, he does so in a way that clearly allows both himself and his followers to latch on to “the truth” behind the lie–a convoluted concept which attempts to portray him, not as the perpetrator of a fraud, but as a bearer of the truth that if he can become a guru, then everyone has it within themselves to become a guru.

Suddenly, not only are both he and his followers embracing this concept, some people who watch this documentary seem to fall for it as well.

Personally, I try to detach myself from the hype. Being as objective as I can be, I observe this phenomenon. Are we, as humans, so desperate to find meaning in our lives that we’re willing to toss out reason and common sense and fall for something like this?

These are the thoughts I have as I watch both the movie and the reactions to it. I would love to hear your thoughts.

Mamitas
I can never figure out why a movie like this doesn’t make it into wide release, while movies like American Pie make a ton a money. Is it because this movie is too real? Too True?  Are most movie watchers like Kumare’s students—too eager for an escaped from reality that they are willing to see…or believe..the most ridiculous tripe?

I just don’t know. But I do know this. If you love good film. If an intelligent story appeals to you. If you’re the kind of person who is open to discovering truth about humanity, then a movie like Mamitas is worth a look.

Shorts 1 – Day 2 FFF 2012

April 15, 2012

This is One of the Most Powerful Films at this Year's Florida Film Festival

Audience Reactions
As Day 2 of the FFF begins, I realize I’m getting older. Staying up till 4am to finish blog posts, then driving an hour to the FFF later in the morning takes a toll. I find that I’m not overly optimistic. I realize they probably chose the opening night film because it was a local production–and the fact that it sold out two theatres indicates it was the right choice. And while it certainly wasn’t a bad movie, neither did it leave me feeling hopeful for this year’s festival.

So I begin the day with one of my favorite activities–interviewing theatre goers about their festival experiences…

“You can use my alias, Scott,” begins the first person I interview.  He has been attending the FFF since “the beginning.” His favorites are the docs and the shorts. He wants to tell everyone to “get off the computer and get down here to see some films.”  Meanwhile, his fellow theatre mate makes a disparaging comment about people who blog–pointedly looking in my direction–as he corrects my grammar. Then, suddenly, Scott recognizes that I’m the notorious LanceAround blogger. His eyes widen in obvious admiration.

Leonard Feinberg has been attending the FFF for 21 years. He’s looking forward to  some great films.  “All the films have been good,” he says, reminiscing about past FFFs. In the early years, he helped with the volunteer effort.

Someone who identifies herself as Gertrude is talking animatedly to her two friends. “Why did you pick me to interview?” she asks. “Because you looked like a  talker,” I respond. Her male companion nods emphatically. “You’re good!, says her female companion. (I admire her astute observations of my abilities.) “This is our first movie but we’ve come in years past,” her companion says. She goes on to point out, “They’re already primed with the beer,” as if that was not obvious!

A woman in a purple shirt wants to know if there is a line to be interviewed for the blog. “There was a line to get tickets, there’s a line to get into the movie, I’m wondering if there’s a line to be interviewed for the blog,” she laments. I tell her there’s no line and, just as she’s about to speak, the line into the theatre begins to move and I don’t have the opportunity to interview her.

Shorts 1
High Maintenance-Hilarious short about a man’s effort to impregnate his wife, despite his slutty mother-in-law’s interference.

L Train-A powerful film, beautifully shot, telling the story of an impoverished teen in Chicago helping someone even less fortunate than herself. It was only after it was over I realized there was zero dialogue. That’s high praise.

Christmas is Ruined-A cute script about a rogue Santa Elf being interrogated for the disappearance of the most famous person on earth. A clever production that might have worked if it had competent actors.

Queen-Wow! Ryan Eggold gives a tour de force performance that is incredible in his role as a male cross dressing nightclub performer who’s phenomenal act is countered by the tragedies in his/her life.

Mouthful-This would have been a hilarious, well written and superbly acted film if only I didn’t have to watch its x-ratedness while sitting beside my daughter and a friend of hers from school.

Jim & Frank-This one might feel a little slow and a little disjointed. You might be tempted to let your mind wander. But when you understand the unexpected surprise at the end of the film, you’ll wish you had paid close attention the entire time. Then, like the audience at the screening I attended, you will gasp. You will love this film.

The Other Side-This is the kind of film you go to film festivals to see.  Smart, well acted, beautifully directed, it tells the story of an Israeli child living beside the wall who is an outcast within his peer group. When he encounters someone on the other side of the wall, his tender, thoughtful and heartfelt interactions will have an impact on you.

The lights come up and I’m slightly dumbfounded. I realize that this was probably the most powerful and, frankly, the best set of shorts I have ever seen. Several filmmakers come up for the Q & A

#1Ember Interviews Tony Borden

Tony Borden is the writer, director and played a lead in the short Jim & Frank. Without giving away the surprise ending, I am shocked to discover that he did not get any permission to do the portrayals in the movie. Afterwards, the LanceAround blog team catches up with him. He admits that he’s a little nervous about possible legal ramifications. He’s a little shy and seems genuinely surprised by the enormous amount of positive feedback his film is receiving. He’s quick to dismiss it, surmising that people are just being polite. We assure him this is not the case. Everyone we speak with really loves his film. In fact, at the press preview night, his was the only film that was selected to be shown in full.  That’s high praise at the FFF.

Ellis Cahill, a principal actor in Mouthful, likewise seems a little dismissive when I tell her that her performance was one of the best I have ever seen. She is quick to credit the script and the director. I am equally quick to correct her. Yes, both script and director were good–but the role was extremely difficult to pull off and she did so with a lot of depth.

Khen Shalem

Yet nothing prepared me for the interview I had with Khen Shalem, filmmaker for The Other Side. The most amazing aspect of his film was his ability to even-handedly portray both sides of the Israeli, Palestinian conflict. His movie, as told through the innocence of childhood, was as deep and thought-provoking as any movie I have ever seen.

Unbelievably, he spoke about his efforts to fund more films. When he showed potential financiers this movie, he found that he was often turned down because they felt the movie was too one-sided. But what made it weird is that each different financier would insist that one side–or the other–was shown in too favorable a light–each time it was a different side!

I sat and chewed on this insight for a long time. It was the perfect preparation for what I was about to experience in the next movie I would see–a documentary entitled, Kumare.

Opening Night Surprise – Day1 FFF 2012

April 14, 2012

Both Theatres Were PACKED For The Opening Night Film

I couldn’t make this stuff up. Really I couldn’t. And I don’t know how it always seems to happen to me…

Today is the opening film of the 2012 FFF.  It is so popular they are showing the movie on two screens at the Regal Theatre in Winter Park. Both theatres are packed. As members of the press, I’m worried there won’t be enough room for SunnyStefani, NumberOneEmber and myself in the theatre. It’s already 20 minutes past the film’s scheduled start time.

We finally get into the theatre and manage to nab the last three seats all the way down in the front row. We’re just in time as the President of the FFF, Henry Maldonado, is beginning his introductions.

I glance over at NumberOneEmber. She’s playing a video game on her phone! I glare at her.

“You’re here to work for the LanceAroundOrlando Blog,” I remind her. (Using a voice an editor can only use if he is also the blogger’s father!) “Put away your phone and find someone to interview.  Get a good angle on the story. Make it personal. Make it real,” I continue, “The theatre is filled with people who have worked on this movie. Why don’t you try talking to the people sitting behind you. They might have been involved in making this film.”

NumberOneEmber rolls her eyes (as only a blogger can do if she is also the daughter of the editor!) and puts away her phone. She does not speak to the person behind her. I shrug my shoulders and turn back to Henry’s introductions.

Henry's Introductions

By this time Henry Maldonado is, as he likes to say, “going on and on” with his introductions at the front of the theatre. He is introducing the opening night film. It’s entitled, Renee and is the true story of Renee Yohe who has struggled with addiction and self mutilation.

The film is a powerful story, masterfully directed and acted. It was filmed entirely in Central Florida where all of the action actually took place. The cast and crew include many locals, often associated with nearby Full Sail University, The Dave School, the University of Central Florida and/or Valencia College. Although there are times when it drags, it is an impressive work, if also very depressing.

But for the moment, Henry continues his introductions. He is now pointing out people from the production who are in the audience. He acknowledges the director, producers, writer and several others. Finally he concludes by saying, “Oh, and Renee herself is here in the audience as well. Where are you Renee?”

Renee Was Sitting Right Behind Them

Suddenly, a meek little voice comes from the seat directly behind NumberOneEmber and SunnyStefani, “I’m right here,” says Renee.

SunnyStefani and NumberOneEmber shoot me a “how did you know that” glance. I just shrug my shoulders.

Honestly, I couldn’t make this stuff up.

FFF 2012 Florida Film Festival Official Sneak Preview

March 27, 2012

Join the Conversation with LanceAround at the 2012 FFF Apr 13-22

For the third year in a row from April 13 -22, 2012 the LanceAroundOrlando blog team is proud to be an official blogger for the annual Florida Film Festival. I go with SunnyStefani and Number One Daughter to the Official Sneak Preview for the FFF, which is held at the Enzian Theatre in Maitland, just north of Orlando.

 The theatre is packed with various journalists, sponsors, volunteers and FFF staffers. Every year the festival grows larger and larger. There’s a palatable buzz in the air that only occurs in an event like this where film lovers of all types get together to share their joy for this remarkable industry.

Just Three More Weeks Before the FFF!

During the Sneak Preview, Henry Maldonado, the President of the FFF, stops by our table to chat with us. I ask him what he wants me to say to our readers. He’s quick to speak about the differences between the FFF and other film festivals. “Sometimes those other festivals are loaded with ******** who are arrogant and stuffy and only interested in sealing their next deal,” he says. “Tell your readers how friendly we are.”  I ask him if I can quote him on that. He gives his trademark impish smile and says, “Maybe you should just say I called them ‘idiots’!”

But his message is clear–this festival is one designed for people who truly love movies and who simply enjoy a great night at the theatre. Tickets to each individual movie or selection of short films are cheap and the films are usually independent movies that can’t be seen at your local multiplex theatre. Henry says that many people who live in the area still don’t know how easy it is to come and see a wonderful film that seldom makes it into wide release.

Henry pauses to get a photo with SunnyStefani and Number One Daughter then moves on to the next table. SunnyStefani will put that photo into her next post.

I manage to get the attention of Matthew Curtis, the Programming Director for both the FFF and the Enzian Theatre. Matthew has seen pretty much every movie that goes through the festival and the Enzian as well as hundreds of others that don’t make it onto the screen. He’s a classic film aficionado who has a remarkable memory for all the movies he’s seen.

This time, I’m going to pin him down. “Give me the straight scoop,” I ask him. “Which is the MUST SEE movie for this year’s festival?”

“Depends on your taste,” comes the almost predictable reply.

Not satisfied, I attempt to nail him down. “Okay, don’t pick one, just give me several that are on the top of your list.”

“Well,” he begins…

Mamitas is a narrative feature. There’s also An Ordinary Family and The Brooklyn Brothers Beat the Best.” He continues, “Give Up Tomorrow, Salaam Dunk, oh, and Kumare is hilarious.” I nod, I’m finally getting the best of the best–a list of “must see” movies.

But Matthew is only taking a breath. He continues, “The Shorts this year are amazing. Animated Shorts are hilarious. The International Animation are incredible.” I scribble a few notes. Matthew is still talking. “Under African Skies is one you can’t miss. Paul Williams Still Alive is a great documentary.” He’s speaking faster than I can write.

“First Position is a wonderful family film. It’s like Spellbound only with ballet,” he says. “Monsieur Lazhar. Headhunters. These are fun thrillers that keep you guessing…” he continues. I can no longer keep up with all the movies he is recommending. Like most Enzian aficionados, there’s no end to Matthew’s ability to talk about movies.

I suddenly realize he’s not going to stop. It’s pointless anyway. I asked Matthew to give me a list of films not to be missed–but that was unfair! I now understand that, for Matthew, there is no such thing as a film in this festival that isn’t good. He wants everyone to see them all! It makes sense, if you think about it. A submitted film has less than a one in ten chance of making it onto the festival schedule. All the movies in the FFF are worth seeing.

With odds like that, you can’t go wrong. And when you do see a movie at the FFF, be sure to find a member of the LanceAroundOrlando Team and let them know your thoughts about this year’s festival.

Oh, and if you run into Matthew–let him know which film YOU liked the best!

Roger Rees Performs “What You Will”

March 10, 2012

Roger Displays His Tony Award Winning Acting Talent

Roger Rees comes out of the theatre to greet Mrs. LanceAround, Number One Son, Number One Daughter and I.

He is the Tony Award winning actor of Nicholas Nickleby.  Most American audiences know him for his role as Lord John Marbury on the TV show West Wing.  I was instructed that he only had a “minute or two” and I am not permitted to take any photographs. How can I possibly get a worthwhile interview with such restrictions? He approaches me and I take a deep breath.

“Roger, I don’t like you very much,” I begin.

Roger gives a “hmmm”. He’s enough of an actor to recognize a set up.

“You see, ever since my wife saw you play Lord John Marbury on West Wing, she’s been rather smitten by you.” Roger, along with the entourage of people around us, breaks into laughter.

“Is this your lovely wife?” He asks, gesturing to Mrs. LanceAround.

“Yes,” I reply, “and this is my Number One Son and Number One Daughter.” The ice has been broken and there are handshakes all around. I’m able to begin the interview and, as I suspected, he generously gives me more than just a minute or two. “Tell me what message you have for my readers,” I ask.

Roger, who appeared tired after his hour and a half one man show, suddenly becomes more animated; his body fills with energy. “Tell them Shakespeare is nothing to be afraid of,” he begins. Visibly passionate, he talks about how he loves to teach high school and college students. “People think Shakespeare is poetry and they are not allowed in,” he laments. His vision is to allow students to “play” in Shakespeare.

Roger and Will

He points to himself as an example. When he was just 17, he was a scenic painter on a set. A director asks him if he would play a part in a play. He says, “I put down the paintbrush and never painted another set again! While the other actors were rehearsing, I was in the library looking up phrases like ‘iambic pentameter’.”

To help fulfill his vision, Roger is currently touring the world with his self created one man show, What You Will. The play is a collection of Shakespearian soliloquies and poems interspersed with personal stories and researched articles about Shakespeare.

It is at once hilarious and touching, educational yet entertaining, and Roger has the audience eating out of his hand. With impeccable timing and precise dramatic gestures he weaves disparate tales and Shakespearean monologues into a memorable evening of theatrical delight. It is not entirely a lovefest for the Bard. Interspersed within the show are numerous tales from those who dislike Shakespeare’s work; along with side splitting snippets of actual schoolwork submitted to teachers, such as the astonishing revelation that “Shakespeare was born on his birthday and wrote in the era in which he lived” and “his plays were not written by himself but by someone else named Shakespeare!”

Roger displays his talent for extemporizing. During his performance, he would often pause to take a swig of water from a bottle. At one point, a woman in the audience has a coughing fit. While continuing to speak his lines, Roger takes his water bottle over to the audience member and hands it to her as if it were the most natural thing in the world. Number One Daughter quips, “she probably won’t drink from it; instead, she’ll sell it on ebay for $200.”

At the conclusion of the performance, the audience rockets to their feet encouraging Roger to do an encore.  Whereupon he proceeds to perform the Hokie Pokie–Shakespearean style. It was hysterical. [Editor’s Note: Yes, I know the proper spelling is “Hokey Pokey”; however, being a lifelong fan of the Virginia Tech Hokies, I am compelled to spell it VT style.]

“O proud left foot, that ventures quick within
Then soon upon a backward journey lithe.
Anon, once more the gesture, then begin:
Command sinistral pedestal to writhe.
Commence thou then the fervid Hokey-Poke,
A mad gyration, hips in wanton swirl.
To spin! A wilde release from Heavens yoke.
Blessed dervish! Surely canst go, girl.
The Hoke, the poke — banish now thy doubt
Verily, I say, ’tis what it’s all about”

He then allows the audience to ask questions. One theatre goer remarks that you can tell his cultural prowess when you realize that he only knows Roger from his role in Mel Brook’s movie Robin Hood Men In Tights.  Upon hearing this, Roger walks through the aisle and gives the man a high five to the laughter of the crowd. He then speaks about working with Mel Brooks whom he refers to as the funniest man on the planet.

Roger Personalizes Their Playbill

Marty Derrow rises to tell Roger that he and his wife, Wendy, went to New York for their 10th anniversary to see his performance in Nicholas Nickleby. This ambitious show from the Royal Shakespeare Company in England is nine and a half hours long. The show was so long, the audience was given several breaks during the performance and presented with a list of nearby restaurants where they could grab a bite to eat before the next act.

Marty and Wendy have just celebrated their 40th anniversary this year. After the performance of What You Will, they wait outside the theatre to meet Roger. They ask him to autograph their original Playbill from Nicholas Nickleby. Roger borrows a pen from Mrs. LanceAround and, in a poignant gesture, insists on personalizing their playbill:

To Wendy & Marty
My dear friends
thank you
Roger Rees

Wendy & Marty Show Off Their Newly Signed Playbill

After my interview with Roger, I spend some time talking with Wendy and Marty. They tell me that Nicholas Nickleby was an astonishing piece of theatre and Roger was fantastic. There were about 25 members in the cast and each one had to perform two, three or even four or more different roles; except for Roger.  He was Nicholas Nickleby throughout the entire show.

I can’t imagine how much energy it takes to perform for over 9 hours on the Broadway stage. However, in a little over a month Roger turns 68. Based on the energy he brought to his performance of What You Will, it’s evident he has what it takes.

Healthy Lifestyle Festival at Harmony

February 10, 2012

A Day of Fun and Fitness in Harmony, FL

[Editor’s Note:  Harmony is a relatively new, planned community located about 30 minutes east of Disney World. It’s design is reminiscent of Disney’s town of Celebration. They boast of being the largest Green Certified community in Central Florida. Below is a press release they sent me advertising their Healthy Lifestyle Festival. Since LanceAround supports creative community efforts, green living and health, I thought I’d pass this information along to my readers.–LanceAround]

FAMILY FUN MIXED WITH WELLNESS FOR ALL: HEALTHY LIFESTYLE FESTIVAL 2012

HARMONY, FL–Saturday, February 25, 2012 the Town of Harmony, the largest Green Certified Community in Central Florida, will be hosting their first Annual Healthy Lifestyle Festival in their Town Square. The festival is from 10am-3pm on Saturday. Presented by Florida Hospital Kissimmee, festival admission is free and open to the public.

The festival will host a morning 5K, fitness demos, healthy living workshops, “green” living demos, food truck bazaar from www.TheFoodTruckBazaar.com, cooking demos, healthy eating exhibits, vendors and other exhibits, as well as a kid’s area and more. The Healthy Lifestyle Festival, presented by Florida Hospital Kissimmee, aims to bring the Central Florida community together to promote living healthier lives while having a great time with friends and family.  The event is family-friendly and enjoyable for all ages.

Harmony is located on US 192 in Osceola County, 30 minutes from Disney and Melbourne, and 20 minutes from Lake Nona Medical City.

For more information on the event, please contact the Harmony Lifestyle and Festival Staff at activities@harmonyfl.com or visit their website at http://www.harmonyfestivals.com/. To find out more about life in Harmony, visit http://www.harmonyfl.com/.